The story of Michael Oher, a former NFL player and the subject of the movie 'The Blind Side,' has taken a new twist as he claims that the Tuohy family, portrayed in the film, never officially adopted him.

Oher alleges that Sean and Leigh Anne Tuohy, the central figures in his life, tricked him into signing away his legal rights to his name for business deals after he turned 18, using the guise of a conservatorship, New York Post reported.

The Reality Behind 'The Blind Side' Family'

The legal battle raises questions about the authenticity of their relationship and their financial gains from the movie. Oher's allegations are laid out in a 14-page petition filed in Shelby County, Tenn., probate court.

He asserts that the Tuohys, through their conservatorship, profited immensely from his image and likeness, reaping millions of dollars in royalties from the 2009 movie that depicted his life journey.

Meanwhile, Oher claims he received nothing from the film's success. The petition contends that Oher believed he was signing adoption papers, a claim the Tuohys deny. The lawsuit has brought to light a complex web of legalities and relationships. Steve Farese, the Tuohys' lawyer, announced that they intend to respond to the allegations in court.

Oher's legal team argues that he was led to believe he was becoming a member of the Tuohy family through the conservatorship, only to discover later that this wasn't the case. Michael Oher's life story, portrayed in 'The Blind Side,' follows his journey from a troubled upbringing to becoming a professional football player.

The movie was a critical and commercial success, propelling the Tuohy family into the spotlight. However, Oher's allegations now cast a shadow over the family's portrayal in the film.

The luxurious lifestyle of the Tuohys has also come under scrutiny. The family's extravagant activities, from visiting Disney World to owning an impressive real estate portfolio, have been exposed. The Tuohys' net worth of $75 million raises questions about whether their wealth is directly linked to the success of 'The Blind Side.'

The movie turned them into millionaires, and their subsequent endeavors have only added to their financial success. Leigh Anne and Sean Tuohy had successful careers even before the movie's release. Leigh Anne was an interior designer and a design team leader on a reality TV show.

Sean worked in radio and sports commentary. They were also successful entrepreneurs, owning a fast food empire that included major restaurant chains. The success of 'The Blind Side' further boosted their careers and financial standing. The Tuohys' involvement with the movie extended beyond its portrayal of their lives.

They negotiated a deal with producers that granted them substantial royalties, as well as a percentage of net proceeds. The financial gains from the movie's success became a significant part of their wealth.

Leigh Anne even embarked on a global press tour to discuss adoption, attributing a rise in adoptions to the movie's influence, as per CBS News.

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Michael Oher's Legal Battle Against the Tuohy Family

Despite the success, Oher's legal challenge exposes the complexities of their relationship and the extent of their financial gains. The lawsuit raises important questions about consent, manipulation, and the exploitation of a vulnerable individual.

As the legal battle unfolds, it prompts a reexamination of the real-life events that inspired the heartwarming and inspirational narrative of 'The Blind Side.'

The controversy surrounding Michael Oher's claims against the Tuohy family emphasizes the importance of ethical treatment and transparency in the entertainment industry. It also serves as a reminder that the reality behind a cinematic story can be far more intricate and multifaceted than what is presented on the silver screen.

As the legal proceedings progress, the truth behind the alleged deception and exploitation will hopefully come to light, shedding new perspectives on both the movie's narrative and the lives of those involved, according to the Daily Mail.

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