Kate Upton is on a horse, again. Except this time around, the 21-year-old has a top on (sorry guys).

The super model made her way down the runway at Marc Jacobs' Louis Vuitton show during Paris Fashion Week on Wednesday. Upton appeared straddling a black horse on moving carousel, wearing embellished, black fishnet stocking and black button-up top.

The blonde bombshell even rocked a fancy feather headpiece for the show, and if anyone can pull off such a daring look, it’s definitely Upton. (Check out photos of Upton's Paris fashion show here)

It’s a change up from the last time she was photographed on a horse. Last June, gossip hounds TMZ uploaded footage of Upton removing her top on a horse during a fashion shoot, exposing her bare breasts to a videographer. The website soon took down the video, but nothing is ever deleted from the Internet. (Warning: video contains nudity; click here to view the NSFW clip).

Sadly, the Louis Vuitton show was the last for designer Jacobs.

Jacobs, 50, is leaving the company to focus on the initial public offering (IPO) of his own Marc Jacobs brand, which his is ready to take public, Women’s Wear Daily reports:

Jacobs leaves Vuitton after a dazzling 16-year run during which he orchestrated the transformation of the leather-goods giant from a stodgy luggage house to a global fashion presence. He pioneered the concept of the fashion-art runway collaboration, first with Stephen Sprouse and later, with several artists including Takashi Murakami and Richard Prince. The bags he designed with Sprouse and Murakami became global phenomena.

At Vuitton, Jacobs acquired the reputation, along with Karl Lagerfeld at Chanel, John Galliano in his Dior days and the late Alexander McQueen, for staging the most exciting and extravagant shows in Paris. In recent years he has commissioned an elaborate carousel; an iron-framed elevator; a Pop Art escalator; a full, functioning train and, last fall, an entire floor of a “hotel,” its doors opening upon videos of hotel “guests” apparently unaware of the voyeuristic eyes of the audience.